ARTS & THEATER
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Suzan-Lori Parks’ Watch Me Work with Special Guest Neil deGrasse Tyson
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by…
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A Twelve-Foot Robotic Arm, Like Chekhov Would Have Wanted
Igor Golyak: Good question of what is real and what is not real, whether virtual theatre is real. Tjaša Ferme:…
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Aristotle Thinks Again | HowlRound Theatre Commons
This work continued a company June 2020 online workshop performance with Safer. GJR members were joined by guest performer Marcus…
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Suzan-Lori Parks’ Watch Me Work
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by…
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Can’t Do Theatre by Yourself
Jorge: So that’s there’s where I would get to meet all these other groups from throughout Latin America and all…
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The International Mobility of Disabled Artists and Culture Professionals
As part of its pluriannual program co-funded by the European Union, On the Move twice a year proposes Mobility Webinars…
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Resisting “Yes, And” Culture and Learning to Say No
Why Saying No is Important So if it feels so wrong, why say no? Learning to say no is an…
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Interrogating the Politics of Oppression in The Struggle
Dan: It is the black gold that was given to us by God, and which is the liquid gold—oil—as a…
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Suzan-Lori Parks’ Watch Me Work
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by…
Read More » -
Claiming Our Places in the Legacy of Latinx Theatre
Mark: And that’s in high school? Réal: Yes. Mark: Wow. Réal: I know. I feel so lucky. College was difficult…
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